In January, Taylor Guitars’ website goes online; guitar line expanded to 61 models, including three new series (300, Koa, and Walnut), revamped 400, 600, 700, 800 Series, introduction of Baby-M and AB-3 maple/spruce bass; release of , a CD featuring numerous artists playing Taylor guitars and basses; in August, begin moving into new factory/office building; introduce re-designed label and begin affixing them to the back of the interior of each guitar, where they’re easily visible., a sequel to the 1998 CD collection; introduce new gig bag for the Baby Taylor; open 8,000-square-foot storage facility next to Taylor factory; enter agreement to factory-install Elixir strings, featuring Polyweb coating, on all Taylors.In January, we introduce the Gallery Series of guitars, featuring original, thematic artwork inlays (for 2000 it was “sea life”); also create our first new Signature Models in a decade, making guitars with Clint Black, Jewel, Kenny Loggins, Richie Sambora, Doyle Dykes, John Cephas, and Chris Proctor, and create a Limited Edition version of the Pallet Guitar; in April, the U. Patent and Trademark Office grants Bob Taylor his first-ever patent for his revolutionary new neck design; we add Taylor-branded guitar and bass gig bags; extend our Limited Warranty to Canadian Taylor owners and to owners of Baby Taylors, both retroactive, and establish our first official warranty repair center in Canada; on August 24, Bob Taylor and Kurt Listug sign a five-year lease agreement on a 22,000-square-foot building in Tecate, Mexico, where Taylor will make its hardshell cases; in September, we open an in-house production training room equipped to introduce prospective employees to a full range of guitar-making processes; re-design the Grand Concert and Jumbo bodies to bring them into aesthetic alignment with the proprietary Grand Auditorium and the re-designed Dreadnought; transform our former mega-storage facility into a full-time Baby Taylor factory, and add maple-, koa-, and rosewood-veneer Babys and a 15/16-size Big Baby to the line; launch a program to provide Baby Taylors to elementary schools that have guitar programs, beginning with a donation of 28 Babys to Emerson-Bandini Elementary School in an economically disadvantaged area of San Diego; make significant advancements in technology, including the implementation of a robotic buffing machine; push past 350 employees for the first time.The change occurred as part of a transition to a new software system that was implemented to improve the company’s inventory management.
So, for example, if the serial number were 980103004, it would break down as follows: 98: It should be emphasized that the serial number does not indicate when a guitar was finished, or when it was shipped.
A favourite of avowed auteurs and populists alike, she was a muse for Mikio Naruse and Keisuke Kinoshita, two of the most esteemed directors of the postwar period, who specialised in strong roles for women.
Twenty-four Eyes (1954), Kinoshita's bittersweet depiction of prewar days, in which Takamine plays a schoolteacher to 12 impoverished children, was widely acclaimed at the time.
Recognising something of the prodigy in her ward, the aunt immediately propelled her niece into showbusiness.
These instincts proved correct and Hideko Takamine's first film, Mother (1929), established her as a star at five years old.
Guitar #20168 is the first Taylor made from East Indian rosewood; guitar #20179 is the latest Taylor “on record” to have the mortise neck joint (by the time we made #20229, we were not using mortise neck joints); Kurt hits the road to sell direct to dealers.