Jill martin personal dating profile Chat with horny girls and not have to register
The few reporters at their pods silently watched their new boss as she walked by.
Abramson put her purse down on a white Formica desk that she occupies in the middle of the third-floor newsroom.
As a junior, Abramson became the editor of the arts section, under Alison Mitchell.
“I would never have predicted she would become the editor of the New York .” One of Abramson’s Harvard friends, Peter Kaplan, who is the editorial director of Fairchild Fashion Media, says, “Jill always had a swagger. She had the same feeling that Rosalind conveys in ‘As You Like It.’ In the last act, everything would work out. Most of my crowd were either wonks or tough feminists who would chew your balls off.
All of us who chose to do that felt like we were feminists breaking into the male world.
A lot of women at Radcliffe thought we were sellouts and wanted to be in the male world. “I thought of Jill as an artsy person,” her colleague Stephen Adler, who is the editor-in-chief of Reuters, recalls.
The writer Amy Wilentz, a college roommate of Abramson’s, has said that the accent probably has something to do with trying to sound a bit like Bob Dylan.
None of those accounts get it right, since Jill’s sister, Jane, has the same unusual voice, as did their mother, Dovie Abramson.
In the late nineteen-seventies, after facing multiple lawsuits alleging discrimination against women and minorities, the company became more aggressive in promoting and recruiting staffers who weren’t white men.
Many who gathered in the newsroom that day were thinking of this history. Susan Chira, an assistant managing editor, says that she kept thinking that when she joined the women were “sad, bitter, angry people who were talented but who had been thwarted.” Editors openly propositioned young women. Inside the newsroom, her schoolteacherlike way of elongating words and drawing out the last word of each sentence is a subject of endless conversation and expert mimicry.
When she appeared on television after her appointment as executive editor, the blogger Ben Trawick-Smith wrote, “Speech pathologists and phoneticians, knock yourself out: what’s going on with Abramson’s speech? One speculated that, like a politician, she had trained herself to limit the space between sentences so that it would be hard to interrupt her; another said she had probably acquired the accent in an attempt to not sound too New York while she was an undergraduate at Harvard.
By 2010, forty-one per cent of the editors and supervisors were women; just under twenty per cent of all employees were minorities; and thirteen per cent of supervisory positions were held by minorities. She earned it.”The first thing that people usually notice about Jill Abramson is her voice.
This June, the paper’s publisher, Arthur Sulzberger, Jr., announced the appointment of Abramson and of Dean Baquet, who is black, as the new managing editor. You have to praise and savor when a woman can earn it through merit. The equivalent of a nasal car honk, it’s an odd combination of upper- and working-class.
The two sisters have the same cackle of a laugh, and every year they go off alone on adventurous trips—to China, Morocco, Budapest.